Music Sunday: The "I've been off reading music books" edition

So.

Due to unforeseen and unavoidable circumstances, I was mostly away from Music Sunday for a couple of weeks. But, I'm back, and in the meantime I've been reading books about music.

No, really. Since the middle of January I've read four music-related books and am now working my way through the fifth. The ones I've finished reading are:

1) 27: A History of the 27 Club Through the Lives of Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse, by Howard Sounes (2013, Da Capo Press; 359 pages)
2) Lennon: The Man, the Myth, the Music - The Definitive Life, by Tim Riley (2011, Hyperion; 765 pages)
3) Ticket to Ride: Inside the Beatles 1965 Tour that Changed the World, by Larry Kane (2003, Running Press; 272 pages)
4) Don't Let Me Be Misunderstood, by Eric Burdon with J. Marshall Craig (2001, Thunder's Mouth Press; 326 pages)

And right now I'm reading Beatles vs. Stones, by John McMillian (2013, Simon and Schuster; 304 pages).

These are all good books, although I suspect that Sounes just wrote 27 so that he could write about Amy Winehouse. Still, he does a good job covering the lives and deaths of the other 27 Club members that he highlights. Riley's book is long, but it is comprehensive, perhaps a little too comprehensive in its detail about recording sessions, but that is a minor quibble. I very much liked the way that Riley seemed to go out of his way to not forgive the times that Lennon acted like an ass, but also gave context as to why he might have been acting that way and also related that Lennon also had times when he was kind and generous and thoughtful. I've read other biographies of Lennon and have found that some writers either try to make him a saint or make him a demon when in fact he seems to have been a very complicated man. Kane's book was more historical in nature and, despite the title, covers both the 1964 and 1965 American tours (he was the only American journalist who traveled with the band the full length of both tours). He also goes out of his way to show that the members of the Beatles were full human beings rather than cutout cardboard figures. He didn't try to whitewash flaws out of existence, but he didn't try to portray any of them, or the support staff who toured with them, as completely flawed. And Burdon's memoir...well, it must have been good, because I more or less read it in one sitting. It seems to jump around in time a lot, but that is a minor quibble. I like that he doesn't approach his life the way some rock stars do, trying to play down the adventures and misadventures of their lives, but plainly says, "these are the things I did, and I might regret some of them now but I'm not going to deny them at this point."

The book I'm reading now, Beatles vs. Stones, is more academic in tone, but that's to be expected since McMillian is an historian and an assistant professor of history at Georgia State University. So far (and I'm on page 109 at the moment) it seems to me he's leaning more toward being as Stones fan than a Beatles fan even though he declines in his introduction to say which band he favors although he admits that he does have "a preference for one group over the other" (p. 5).

At any rate, these books highlight the lives of people who have made some classic music, and since it is Music Sunday, of course I'm going to share some if it with you. I will say that I have probably shared some of these songs before, but all these people have made music that stands up (I think) to repeated listenings.

But, I'm going to start out with something I know I haven't share before, because I didn't know it existed until a couple of days ago. Anyone who grew up in the 1970s probably knows the Three Dog Night version of Randy Newman's "Mama Told Me Not To Come". That 1970 cover went to number one on the Billboard Hot 100. But the first recording of the song was by Eric Burdon and the Animals in 1966, although it was never released as a single and ended up on the 1967 album "Eric is Here", and the band playing behind Burdon is not the Animals, but the Horace Ott Orchestra. This original version is edgier than the more commercial-sounding Three Dog Night version:



Here's a live performance of "Don't Let Me Be Misunderstood" from Burdon and the Animals at Wembley Empire Pool at the New Musical Express poll winners' concert on April 11, 1965:



I found a clip of the Beatles singing "All My Loving" at the Hollywood Bowl concert on their 1964 tour of the United States. This show took place on my 8th birthday, I lived in Southern California at the time, and even at the age of 8 I was very bitter that I didn't get to go to the concert:



One of the notable details in this early clip of a live Rolling Stones performance of "(I Can't Get No) Satisfaction" is that there look to have been a lot more males in the audience than in audiences for the Beatles' shows. And, if that young gentleman in the audience shown near the end of the song is any indication, some of them were as emotional about their favorite band as the girls were. This was the first single by the Rolling stones to go to number 1 in the United States:



Jim Morrison was not only a singer, but a poet as well. His poetry has gotten mixed reviews over the years, but I quite like some of the things he wrote. A few years after Morrison's death, the rest of the Doors got together and put some of his recorded poetry on record along with music. This cut from the resulting album, "American Prayer" (released 1978, with the spoken word parts recorded in 1969 and 1970), called "Stoned Immaculate", shows a crossover between what the Doors recorded as a band and what Morrison was doing with the written word:



Since I'm running out of room for today's post, I'll just end with this, my favorite Janis Joplin song. Don't get me wrong; I like all of her work. However, this song just seems...perfect. So, here is Janis, and "Mercedes Benz", from the album "Pearl" (1971):

Music Sunday: The "Year Before 1969" Edition

It occurs to me that a lot gets said and written about 1969 and the music it produced. It was a landmark year, after all, with Woodstock and Altamont, and all the hoopla that surrounded those events. But what about the year before? How was 1968, musically speaking?

Well, Led Zeppelin performed in public for the first time, as The New Yardbirds (just two months after The Yardbirds had disbanded). Calling themselves The New Yardbirds made some sense, as Jimmy Page had played with The Yardbirds. Other bands starting up during the year included Yes, Rush, Deep Purple, and Black Sabbath (as Earth). Cream disbanded, and so did the Buffalo Springfield. Before Cream broke up, the band played a farewell performance at Royal Albert Hall, the last time Eric Clapton, Jack Bruce, and Ginger Baker performed together until 1993, when they were inducted into the Rock and Roll Hall of Fame.

Here is "White Room", from Cream's farewell concert. I'm not sure what the narration at the beginning of the clip is about:



And this is the band's performance of "Sunshine of Your Love" from the Rock and Roll Induction ceremony in 1993:



While not an immediate break-up, The Monkees ended the run of their television series, for which the band had been created in 1966. The show ran for 58 episodes. I've written here before about my belief that, especially once allowed to record their own music and have some creative input into what they were doing, The Monkees weren't really that bad a band. The movie they made, also in 1968, was not nearly as well-received as their TV series, but the band soldiered on, with some defections (Peter Tork left in 1969 and Michael Nesmith left in 1970) until 1971. There were reunions later on, of course, but very rarely did all four members of the band get back together for very long at a time.

The songs that were popular in 1968 ran a wide range of genres and styles. The biggest song of the year was The Beatles' "Hey Jude", and "Lady Madonna was also a big hit for the band that year as a single, although it did not make it onto one of their albums until 1970. "Lady Madonna" was the last Beatles' single released on the Parlophone label, with all subsequent recording coming out on the Beatles' own Apple Records:



And then there was this, "I Just Dropped In (To See What Condition My Condition Was In)", by a band called The First Edition. It's hard to tell whether this song was advocating for better living through chemicals or warning against that way of life, but it's an interesting song of its time. And, yes, that is Kenny Rogers singing lead:



From the film "The Graduate", Simon and Garfunkel had a hit in 1968 with "Mrs. Robinson". Here is a live performance of the song from that year:



"The Weight" one of The Band's best-known songs, also was released in 1968. This performance is from their appearance at Woodstock in 1969:



Of course, there was music in 1968 that protested the involvement of the United States in Vietnam. One of the best of those was this song, "Sky Pilot", by Eric Burdon and the Animals:



So, there's a little taste of the music of 1968. As always, I encourage you to go find more on your own, because there is never enough time or room here to share everything I would like to share.

Music Sunday: Another Movie Music Edition

I'm not really sure whether this is really a Music Sunday post or a Movie Monday post, but since it's Sunday, I'll classify it as a Music Sunday entry and call it good.

I've been watching the 2007 film "Zodiac" this afternoon. Based on the true story of the hunt for the Zodiac killer, the film stars Jake Gyllenhall, Mark Ruffalo, Anthony Edwards, Robert Downey, Jr., and Brian Cox. It focuses mainly on the crimes attributed to the killer, who was never caught, in the San Francisco Bay Area in the late 1960s and early 1970s, although there are other crimes at least provisionally attributed to the same man in other regions of California, including a murder in Riverside and two murders in Santa Barbara, and an attack on a woman in Modesto. The Zodiac wrote letters to several newspapers in the Bay Area, giving himself the name "Zodiac" and claiming credit for several murders. Some of the letters claiming to be from Zodiac, especially those after the main crime spree in the Bay Area, were later called hoaxes or from copycats.

Anyway, the movie is a good one, and landed on a lot of year-end "Ten Best" lists in 2007. The film is based on a book, also called "Zodiac", by Robert Graysmith (published in 1986). He was a political cartoonist at the San Francisco Chronicle at the time of the search for the killer, and became interested in (some would say obsessed with) the case at that time, trying to decode the cyphers in the letters received by his paper. In the film, he is portrayed by Jake Gyllenhall.

The other main character in the film is the lead detective on the case, David Toschi, who was on the San Francisco Police Department from 1952 to 1983. He is portrayed in the film by Mark Ruffalo. The interesting thing about Toschi is that he has become sort of a mainstay of portrayals of San Francisco police detectives in film. He was the major inspiration for Clint Eastwood's "Dirty" Harry Callahan in "Dirty Harry" (1971), which was loosely based on the Zodiac case, including using a threat from one of Zodiac's letters, that he would attack a school bus filled with children, as a major plot point. Before that, it is said that Steve McQueen modeled his character in the movie "Bullitt" (1968) largely on Toschi.

Apart from being a good film, the "Zodiac" soundtrack includes some really good music from the period, which is what turns this post into something appropriate for Music Sunday. First of all, because I will use just about any excuse to include a song by Eric Burdon and the Animals in these posts, the band's song "Sky Pilot", from 1968, appears in the film. Here is the long version of the song:



Another song featured in the soundtrack is Donovan's "Hurdy Gurdy Man", also from 1968. As a piece of trivia, Donovan's daughter, actress Ione Skye, plays a small, uncredited role in the film. Here is a live performance of the song from 1968:



There are at least a couple of songs used in the film that are from other movies. First, there is Three Dog Night's version of "Easy to Be Hard" (1969), which comes from the play and film "Hair":



Also originating in another film is Oliver's version of "Jean" (1969), which was written by Rod McKuen for the film "The Prime of Miss Jean Brodie":



A third song that was originally written for another film ("Lizzie", from 1957) but that appears on the "Zodiac" soundtrack is "It's Not for Me to Say", with the performance in both films by Johnny Mathis:



There are a lot more good songs on the soundtrack of "Zodiac", but I'm running out of room for this week. I'll end this for today, then, by sharing "Inner City Blues (Make Me Wanna Holler)", from 1971, by Marvin Gaye: