Showing posts with label Otis Redding. Show all posts
Showing posts with label Otis Redding. Show all posts

Sunday, April 21, 2013

Music Sunday: The 1968 Edition


Clearly, I have not been keeping up this week. Apologies for that. Part of it has to do with the fact that this week was Practice Interview Day at CVP. That means that from Sunday night through Wednesday evening I was sending reminder e-mails to those involved, both interviewees and interviewers, answering e-mails back, making schedules, and generally feeling like tearing my hair out (or bashing my head against a brick wall, whichever is least painful). Actually, this month's interview day went fairly smoothly. Only one of the newbies didn't show up, and his cancellation was due to his having gotten a real interview, which is much more important, because real interviews sometimes end up in real jobs, which is the whole point of the exercise at CVP.

Another part of it has to do with getting ready for an SCA event next weekend. For me, right now, that's mostly in the thinking phase at the moment. Still, it takes time to think. And still another part of my not keeping up here is that I'm actually making good progress on my writing project. I'm still behind, but making up ground.

So, that leaves us with Music Sunday. Which was missing in action last week.

During the week, I've been spending a lot of time in the Sixties thanks to the work I'm doing. Actually, I've been bouncing back and forth a lot between the Sixties and the Eighties. Talk about historical whiplash. Anyway, part of the research involves the music of the time I'm looking at. Lots of good memories in the Sixties music. Not so much in the Eighties music, although things started to improve as the end of the decade approached. Still, Sixties music is what I grew up with, and is still my favorite. Which is why I decided to share some music from the late Sixties today, beginning with a song I'm sure I've shared here before. That's okay. It's one of my favorite songs, ever, and I want to hear it.



That, of course, was Otis Redding and "Dock of the Bay". Which was released in 1968, after Redding died. It was recorded just a few days before he died, in fact, in 1967.

Another song from 1968 is Marvin Gaye's version of "I Heard It Through the Grapevine", here in a live performance at Montreux:



The Rolling Stones' "Jumpin' Jack Flash", here in a live performance in Texas in 1972, was also released in 1968:



I have to confess that I don't really get the appeal of Mick Jagger, much like I don't get the whole Elvis Presley thing. Jagger just isn't interesting to me. I like the Stones' music well enough, but I've always found Keith Richards to be a much more interesting and compelling character than Jagger, for all of Richards' infamous misbehavior.

If I include the Stones, I have to also include The Beatles, who released "Hey Jude" in 1968. This is the official promotional video for the song, which was first shown in the United States on "The Smothers Brothers Comedy Hour" on October 6, 1968. This means I know what I was doing on that evening, because I remember seeing this on that show:



Also from 1968, here are The Grass Roots and "Midnight Confessions". My 12-year-old, seventh-grade self loved this song:

Sunday, September 09, 2012

Music Sunday: Musical Birthdays Edition


Having celebrated my own birthday recently, I've got birthdays on the brain I guess. So, after seeing a post on one of my favorite forums mentioning that today was Otis Redding's birthday, I decided to see who else in the music world has birthdays this weekend. Several, as it turns out.

First of all, there is the late, great Patsy Cline, who was born on September 8, 1932. Primarily a country singer, Cline's music transcends all genre boundaries. One of her best known recordings is of Willie Nelson's "Crazy", here in a performance from 1962:



Another favorite from Cline was "I Fall to Pieces". This performance is from just out 10 days before she died in a plane crash in 1963:



Otis Redding, who was born on September 9, 1941, also ended his life in a plane crash, before, before "(Sittin' On) The Dock of the Bay" could even be released. In fact, he recorded it just a couple of weeks before his death in 1967 and added overdubs just a day or two before the crash, and the song was not released until January 1968:



Before this turns into the "Singers Who Died in Plane Crashes" edition of Music Sunday, I think we should move on.

Yesterday was also Pink's birthday. Pink was born Alecia Beth Moore in 1979, and has had a string of hit records. My favorite of all the songs she's released is this one, "Stupid Girl", which asks a question that is probably one of the most important questions we can ask in today's celebrity-mad/paparazzi-fed culture: "Where, oh where, have the smart people gone?" With it's parody, both in lyrics and in the video for the song, she makes the point that fitting in with the dominant pop culture is not the only path for girls, or for anyone else, today:



And then there was "In-A-Gadda-Da-Vida". The fact that today is Doug Ingle's birthday is basically just an excuse to share this song, the title of which is said to be a slightly mangled version of the phrase "In The Garden Of Eden". I loved when it came out in 1968, when I was 11 years old, and which I still love in all it's 1960s-psychedelia-laced excess today. Ingle was the organ player and vocalist and one of the founding members of Iron Butterfly, although he left the band in 1971. The song took up the entire second side of the album, and was longer than just about anything rock'n'roll fans had heard up until then:



I want to give a hat-tip to Nina809 over at Ravelry, for posting "Dock of the Bay" over there and giving me the idea for today's edition of Music Sunday.