Showing posts with label Ringo Starr. Show all posts
Showing posts with label Ringo Starr. Show all posts

Sunday, October 13, 2013

Music Sunday: The "The Beatles Go Their Separate Ways" Edition


1969 ended on a down note, as I've written about before here, with the disastrous December 6 free concert headlined by the Rolling Stones at Altamont Speedway in California.

Things didn't get any better in 1970, which was the year the Beatles broke up. Actually, John Lennon had told the group he was leaving in late 1969, but agreed to keep his departure quiet until after "Abbey Road" was released so as not to hurt sales of the record. The first public announcement that the band was breaking up came on April 10, 1970, from Paul McCartney, ten days before he released his first solo album, "McCartney", which he had started working on after Lennon made his announcement.

"McCartney" was truly a solo album, with every instrument on the record played by McCartney. The only contribution from anyone other than McCartney himself were some background vocals and sound effects by his wife, Linda. The most memorable song from that album was "Maybe I'm Amazed". It got considerable radio airplay in the US when the album came out despite the fact that it was not released as a single at the time:



The Beatles' last studio album, "Let It Be" was released on May 8, 1970, followed on May 20 by the release of the documentary film "Let It Be". The documentary is interesting in that it shows the band in the process of breaking up. The film didn't get very good reviews, but it managed to win an Academy Award for Best Original Song Score, and is remarkable for the rooftop concert that the band gave, the last time all four members of the band played in public together. This clip is "Get Back" from that performance:



It wasn't just Paul McCartney who released a solo album that year. In fact, Ringo Starr released two solo albums in 1970. The first, "Sentimental Journey", had come out on March 27, 1970 in the UK. It was a collection of old standards, and was a project that the rest of the band members are reported to have encouraged him to do. Later in the year, on September 25, he released "Beaucoups of Blues", with more of a country-music flavor. Here is the title song of that album:



George Harrison released "All Things Must Pass" on November 20, 1970, but it was not his first solo effort. It was his third solo album, after 1968's "Wonderwall Music", the soundtrack from the film "Wonderwall", which was mostly instrumental in nature, and 1969's "Electronic Sound", which consisted of two long tracks featuring the use of a Moog synthesizer.

Harrison's 1970 effort was ambitious, with three discs and 23 songs, including "My Sweet Lord" and "What is Life". The album did very well both critically and popularly, reaching number 1 on both the US and UK album charts. "What is Life" wasn't as popular as "My Sweet Lord" (it only reached number 10 on the Billboard singles chart, while "My Sweet Lord" hit number 1), but I like it better:



Despite being the first of the Beatles to say he was leaving, John Lennon was the last of the four to release a solo album, with "John Lennon/Plastic Ono Band" coming out on December 11, 1970. It was well-received critically at the time it was released and has been named to several "best album of all time" lists, including placing at number 23 on Rolling Stone magazine's 500 Greatest Albums of All Time. In 2006, Time magazine rated it one of the 100 Best Albums of All Time. It is a remarkable album. My favorite song on the album, and one of my favorite songs of all time, is "Working Class Hero":



All of the members of the Beatles went on to make interesting music, although John Lennon and George Harrison left the world way too soon. Paul McCartney is still recording and touring; in fact, he has a new album, "New", set to be released tomorrow (which I just found out as I was researching this post). Ringo Starr last released a new album in 2012 called, appropriately enough, "Ringo 2012", and he and his band, the All Starr Band, toured the Pacific Rim earlier this year.

Still, it's sometimes difficult to fathom that it has been 43 years since the rock band that changed the world broke up, and a bit longer than that since all four were in a recording studio together.

Sunday, May 05, 2013

Music Sunday: The 1974 Edition


I've been researching in the 1970s the past few days, and so I thought it might be time for some '70s music. '70s music kind of has a bad reputation in some circles because it was the decade of disco. It almost seems like that should be capitalized. Decade of Disco. With some echoes in there, or something, maybe a little reverb. And I have to say that I'm not a huge fan of disco.

On the other hand, a lot of non-disco music also came out in the '70s. The music of that decade was at least a diverse as that of any other decade. And a lot of music came from the decade. So, I decided to focus on 1974, the year I graduated from high school.

Yes. I know. I'm old. Still...

The first song I want to share was out early in the year, but the album (remember those) it was on, "Grievous Angel", by Gram Parsons, came out several months after Parsons's death. Pity. This song, "Las Vegas" (sometimes billed as "Ooooo, Las Vegas"), was co-written by Parsons and British musician Ric Grech, who played bass with Blind Faith, among other acts. It's a really good song, at least in my opinion. I wish Gram Parsons had stayed around long enough to make more music. I didn't know this song when it came out, but I've loved it ever since the first time I heard it:



Also out in January of 1970 was Gordon Lightfoot's album "Sundown". The album and the title song both reached number one on the charts in the United States, as did the second single from the album, "Carefree Highway". Both songs are good, each different from one another in theme.

Here is a live performance of "Sundown" from 1974:



And here is "Carefree Highway". Completely different vibe:



The Eagles had an album out in 1974, "On the Border", which included such hits as "Already Gone" and "Best of My Love". But there's another song on the album that I like at lot. This live performance of "James Dean" comes from the band's performance at California Jam on April 6, 1974:



"Already Gone", the first release from the album, went to number 32 on the US charts and "Best of My Love" was the band's first number one single. "James Dean", on the other hand, which was the second single released from "On the Border", only made it to number 77.

So far, the songs I've shared today come from similar roots. Elton John's "Don't Let the Sun Go Down on Me" is farther down the road into a different part of the 70s music scene. From the album "Caribou", this is one of my favorite Elton John songs, not least because of the absolutely amazing live performance I saw of it at Dodger Stadium on October 26, 1975. When the song began, it was still light. But the song was long enough that night that by the time it ended the sun had gone down and it was completely dark. Then, just as the last chord faded out, the stadium lights all came on. It was beautiful. This clip is not from that show, but from a show at Wembley stadium in London in 1984. I tried to find a clip from the show I went to, but if it exists, I couldn't find it.



And now for a little novelty...Ringo Starr had an album come out in 1974, "Goodnight, Vienna". One of the songs from that album was "Only You (And You Alone)", a cover of a song from the 1950s. As a promotional clip, Starr sang the song on top of the Capitol Records building in Hollywood, alongside a mock-up of a flying saucer and huge figures looking like Klaatu and the robot Gort from "The Day The Earth Stood Still". This came from the fact that the album cover recreated an iconic scene from that film. Finding this clip, which I didn't realize existed, tickles me because I can remember driving by on the freeway during that period and seeing the saucer and huge figures on the roof of the building, which had been put up as promotion for the album. Growing up in Southern California in the 1960s and 1970s made for some trippy and unique experiences:



John Lennon also had a new album out in 1974, "Walls and Bridges". The song "Whatever Gets You Through the Night" was included, here in a live performance with Elton John:



For some reason, today's post has taken me most of the afternoon to put together. so I'll leave it at this for now. I might have more to share from the 1970s later on.

Friday, March 22, 2013

A Beatles' Anniversary...


It isn't Music Sunday, but I have to take the opportunity, as late in the day as it is, to mark an important day in music history.

Fifty years ago (!) today, on March 22, 1963, the first Beatles' album "Please, Please Me" was released in the UK, on the Parlophone label.

This is a big deal, for a few reasons. First of all, The Beatles. Just that. This release marked the beginning of an era. Also, eight of the fourteen songs on the album were written by Lennon and McCartney, an indication that The Beatles were not going to be like other singers and bands and record songs written by someone else. It took them a couple of albums to get to the point where they were writing some (or all) of their own material, but even with this record they were on their way to that.

The four Beatles also substantially played all the music on the album, something else that wasn't especially common at that time. Other than producer George Martin's turn on the piano on "Misery" and on the celesta on "Baby It's You", and drumming by Andy White on "Love Me Do" and "P.S. I Love You", John, Paul, George, and Ringo played all the instruments and sang all the lead and background vocals.

Additionally, the album - all fourteen songs - were recorded in one day, in a three-part session that lasted a little less than 10 hours, on February 11, 1963. Granted, none of the songs were very long - none were over three minutes - and recording technology was not exactly sophisticated in 1963. Still, that isn't very long to record an entire album.

The song that opened the album was "I Saw Her Standing There" which, I will confess, was my favorite song as a second-grader, at the time The Beatles first came to the United States. I found this live performance of the song from October 30, 1963. This is a rare video in that there is little of the shrieking by the audience that would become so much a part of the band's legacy:



The final song on the album was also the last song recorded in the session, "Twist and Shout". Legend says it was left until last because George Martin was afraid that if John Lennon - who sang lead on the song)- sang it any earlier, his voice would be done for the day, and the rest of the songs could not be recorded. Lennon had a cold and his voice was already showing the effects of the illness. This performance is from an appearance on the Ed Sullivan show, early in 1964:



I was talking to a couple of people today about The Beatles and their music, and there was some disagreement about which was the better period, their early work or their later songs. My take is that both are just fine. I like the early stuff, and I like the late stuff, and I like the stuff in between. I do have to admit that my favorite of their albums is one of their latest, "Abbey Road". That doesn't mean that I think their earlier work was any less good, as "Please Please Me" shows.

But really...was it that long ago?

Sunday, July 08, 2012

Music Sunday: Happy Birthday Edition...


Here in the United States, we celebrated our nation's birthday this week, with all of the food, fireworks and patriotic music that implies. It put me in mind of the July 4th I spent, many years ago, riding around north Wales and discovering that one of the radio stations there was actually playing John Phillip Sousa marches and other patriotic songs from the US. It was interesting to me that they would do that, and it was kind of fun spending that gray, rainy (until late afternoon, when the sun came out) day seeing green hills, sheep and cows, small Welsh villages and, occasionally, the ruins of a castle on a distant hilltop, and listening to American patriotic music.

But, since I'm really not a huge fan of that genre of music, I thought I'd take a look and see who in the music world celebrated their birthdays in the past week, and share some of their music with you.

It was Ringo Starr's birthday on July 7. I've shared music from The Beatles here before, more than once, but I thought I'd share one of the songs Starr recorded after he left the band. This one, "It Don't Come Easy", is my favorite of his post-Beatles career, if for nothing else the line, "I don't ask for much/I only want trust":



It was also Robbie Robertson's birthday this week, on July 5. Robertson, of course, had a long career with The Band, but he has also done some interesting solo work. This song, "Somewhere Down the Crazy River", is my favorite of his work away from The Band:



Huey Lewis also celebrated a birthday on July 5. He had a number of hits with his band, The News but, again, I thought I would share some of his work from outside his usual habitat, "Cruisin'" recorded with Gweneth Paltrow, from the film Duets.



From the world of country music, Toby Keith is celebrating his birthday today, July 8. He has recorded a number of songs that could be classed as patriotic music, and created more than a little controversy with some of it. But I first became aware of his work with this song, "How Do You Like Me Now?" How many of us haven't wanted to go back and tell someone from our past, "Hey, look at me now. Not as bad as you thought, huh?" But the video doesn't take the easy way out; he didn't get the girl in high school, and he doesn't get her when comes back twenty years later, either. It's a fun song and a clever video:



And then, just to wrap things up and come 'round full circle to The Beatles, here is Paul McCartney, singing "Birthday" to Ringo Starr a couple of years ago at a show at Radio City Music Hall: